One of the knocks against Disney has been that despite a wide variety of princesses in the company’s TV and film productions, there has not been one to represent the Hispanic population. That changes with the launch of “Elena of Avalor.”
The new animated series for the Disney Channel is set in a fictitious world, but the princess and the country where she lives definitely have been inspired by Latin cultures and folklore. The series will follow Elena (voiced by Aimee Carrero), a 16-year-old ascendant to the throne of the fairytale kingdom of Avalor.
Carrero, who was born in Santo Domingo, Dominican Republic, and grew up in the community of Miami, knew from the moment she was cast this wasn’t just another in a long line of acting roles.
“I think about the importance every single day. It’s an incredible honor. There are no words to describe it,” Carrero says. “I guess that’s not good for you since you are writing a story.”
Carrero found plenty to say about the show, which exists in the same world as the mega Disney Jr. hit “Sofia the First.” It’s a little easier for her to talk about the series now that the first season has been completed. Seeing little girls dressed as Elena, who tell her how much they are inspired by the character, has been enough to bring her to tears.
Carrero knows how they feel since she spent a lot of time at Disney World, where her uncle worked and an Imagineer. She was moved as a youngster by the Disney princesses, especially those who showed an adventurous side such as Mulan, Jasmine or Cinderella.
What she sees as an adventurous quality she calls curiosity in herself. Carrero is certain she got into acting because she was curious what it would be like to be another person. In a moment of pure honesty, Carrero admits that acting came along by default because she couldn’t sing or dance.
It’s worked out so far as her credits include “Level Up,” “Blue Lagoon: The Awakening,” “Devil’s Due” and “The Americans.” She’s also one of the stars of “Young & Hungry.” She hopes to be able to continue with that series or star in a potential spinoff along with doing the voice work.
“Elena of Avalor” is the first voice work for Carrero. She loves the challenge because it gives her the chance to work with a different kind of partner, the animators. And, there are the writers who have created a character who while not perfect is very positive and willing to learn
“I hope people pick up that leadership is not about power,” Carrero says. “It’s about doing what is best even if that comes at a great sacrifice. I hope that kids can see that.”
The bigger picture is that now Disney has a Latina princess to go along with the other princesses from around the world.
There are no plans now, but because her series is animated, there’s always a chance a Disney princess might stop by to visit in the future. Carrero’s choices for guest spots include Tatiana, Mulan or Sleeping Beauty.
Carrero laughs and says that Snow White would probably be terrified of Elena.
The rest of the cast includes Jenna Ortega, Chris Parnell, Yvette Nicole Brown, Carlos Alazraqui, Emiliano Díez, Julia Vera, Christian Lanz, Jillian Rose Reed, Joseph Haro and Jorge Diaz.
Aimee was on Despierta América ! on July 13th and I finally was able to find a video of the segment. You can watch it here. Be sure to disable any adblocker as the video will not load if you have one active. The interview is in spanish and Aimee was just ADORABLE. She discusses Elena of Avalor in the interview.
Press: Aimee Carrero On Disney’s Latina-Inspired Princess: “She Is A Woman Of Color In A Position Of Power”
Disney’s first-ever Latina-inspired princess, Elena of Avalor, will soon be making her television debut. The Dominican-American actress Aimee Carrero, 27, is the voice behind, arguably, the company’s longest awaited princess. Carrero recently sat down with Fox News Latino, where she discussed why voicing the first Latina Disney princess is not only an honor to her, but a dream come true.
“It feels incredible. It’s totally amazing and totally surreal,” she told FNL. “We’ve been waiting a long time for this—not just our generation, but many generations before us. I consider it a great honor and a great responsibility, and I couldn’t be prouder of this character and the character that Disney has created.”
Carrero describes her 16-year-old character as adventurous, bold, courageous and “in charge of her own destiny.” As most teenagers, she’s eager and thinks she’s ready to rule her kingdom, but soon finds out there’s so much more to being a queen than meets the eye. To Carrero, it’s princess Elena’s adventurous journey as a strong young woman that makes this story so alluring.
“She’s out there, making her own decisions,” she said. “She’s her own hero. There is no Prince Charming—there’s no love story there—and I think that is representative of what’s happening around the world with women. We are finding our partners later in life. We are making those commitments later in life, and we are focusing more on ourselves and what we can bring to the table before we go out and search for a partner.”
Right on! Elena of Avalor will tell stories influenced by the traditions, foods, mythology, folklore and the customs of Latin cultures. For example, in the first episode viewers will see the story of a shape-shifting creature based on the Chilean Mapuche (a group of indigenous inhabitants) myth of the Peuchen. Viewers will also see a spirit guide from a Mayan tribe in Mexico.
“What makes [Elena] stand out is that she is a woman of color in a position of power and is doing a great job,” Carrero said. “She’s just a strong role model and a flawed role model. I think it’s important to remind the audience that just because you’re a leader, doesn’t mean you have all the answers.
Other characters in the series will be voiced by talents like Jenna Ortega, Constance Maria, Lou Diamond Phillips, Jaime Camil, Justina Machado, Tyler Posey and Lucas Grabeel.
Appearing in the various shows like “The Americans”, “Lincoln Heights” and Freeforms hit series “Young & Hungry,” Elena of Avalor will be Carrero’s first ever voice-acting role. “I take that as a compliment—to have a varied career so far,” she said. “I think I’ve been very lucky to be able different characters and different genres, different modes or genres of arts.”
Elena of Avalor will debut on the Disney Channel in a one-hour, two-episode premiere on July 22.
Press: Voice actress on Disney’s 1st Latina princess, ‘Elena of Avalor,’: ‘We’ve been waiting a long time’
Disney’s first ever Latina-inspired princess is finally making her television debut.
“Elena of Avalor” hits screens in a one-hour, two-episode premiere next week, and fans can expect to follow her on exciting adventures and have new Disney characters to fall in love with.
Behind the adventurous Elena is 27-year-old actress Aimee Carrero, whose mother is Dominican and her father Puerto Rican. Voicing the first Latina Disney princess is both a dream and an honor for her.
“It feels incredible. It’s totally amazing and totally surreal,” she told Fox News Latino. “We’ve been waiting a long time for this – not just our generation, but many generations before us. I consider it a great honor and a great responsibility, and I couldn’t be prouder of this character and the character that Disney has created.”
Carrero describes the 16-year-old Elena as a typical teenager who thinks she is ready to take on the world – or rule a kingdom – but finds out that there is so much more to being a queen and having that power. She is adventurous, bold, courageous and “in charge of her own destiny.”
“She’s out there, making her own decisions,” she said of Elena. “She’s her own hero. There is no Prince Charming – there’s no love story there – and I think that is representative of what’s happening around the world with women. We are finding our partners later in life. We are making those commitments later in life, and we are focusing more on ourselves and what we can bring to the table before we go out and search for a partner.”
“Elena of Avalor” will tell stories that draw on the traditions, foods, mythology, folklore and customs of Latin and Hispanic cultures. In the first episode, fans will see a shapeshifting creature based on the Chilean Mapuche myth of the Peuchen and a spirit guide from a Mayan tribe in southern Mexico.
“What makes (Elena) stand out is that she is a woman of color in a position of power and is doing a great job,” Carrero said. “She’s just a strong role model and a flawed role model. I think it’s important to remind the audience that just because you’re a leader, doesn’t mean you have all the answers.”
It is something that Carrero learned and Elena will come to understand during the season.
“(Being a leader) is not so much excising power,” Carrero told FNL, “as it is listening to other people and taking suggestions from other people. And sacrifice is at the center of any good leader. You have to do what is best for the greater number of people – even if it comes at a cost to you.”
Other characters in the series will be voiced by the likes of Jenna Ortega, Constance Maria, Lou Diamond Phillips, Jaime Camil, Justina Machado, Tyler Posey and Lucas Grabeel.
Carrero said it’s very different being a voice actor because you don’t interact with your co-stars. She joked that she begged those in charge of scheduling to put her in the studio at the same time as other actors so that she could cross paths with them.
In addition to “Elena of Avalor,” Carrero appears in the Freeform (formally known as ABC Family) hit series, “Young & Hungry,” as well as shows like “The Americans” and “Lincoln Heights.” This is her first voice-acting role.
“I take that as a compliment – to have a varied career so far,” she said. “I think I’ve been very lucky to be able different characters and different genres, different modes or genres of arts.”
“I”ll take charge like the leader I know I can be, and take care of all those who are counting on me!”
The new Disney Channel original animated series Elena of Avalor is premiering this month, and its protagonist is Disney’s first Latina princess.
Actress Aimee Carrero voices the titular character Elena, a princess recently released from an amulet she spent 41 years trapped in, thanks to an evil sorceress. In the body of a 16-year-old, Elena is tasked with taking care of her family, ruling the kingdom and restoring it to greatness.
“What I love most about Elena is she’s her own hero,” Carrero said in an interview with ABC News. “There’s no Prince Charming, so I hope people at home watching will just be inspired her sense of self, her confidence and her leadership.”
Elena of Avalor is technically a spinoff of a storyline from Disney Junior show Sofia the First. Like in Sofia the First, Elena of Avalor features original musical numbers.
Sofia the First faced some controversy when it first aired for billing the fair-skinned, blue-eyed princess as Latina. Elena of Avalor not only features a proud Latina princess, but the setting of the show is inspired by various Hispanic cultures.
“Disney’s been in my family for a very long time and just to see my own images represented – my own culture represented – is really special and I hope it will be for everybody watching,” Carrero, who is Dominican and Puerto Rican, told ABC News.
Elena of Avalor will premiere on July 22 at 7:00 p.m. on Disney Channel.
Aimee was on Good Morning America this morning discussing Elena of Avalor, Disney’s new Latina Princess. Check out the interview below and be sure to tune in on July 22nd!
“It was finally my time.”
Those words, spoken by the animated Princess Elena in the first episode of “Elena of Avalor,” a new Disney Channel series, are meant to reflect power: The zesty teenager has reclaimed her tropical kingdom from an evil sorceress. But the line has a deliberate double meaning. With Elena, Disney has created — at long last — its first Latina princess.
“It’s not a secret that the Hispanic and Latino communities have been waiting and hoping and looking forward to our introduction of a princess that reflected their culture,” said Nancy Kanter, the Disney executive overseeing the show, which will begin on July 22 with toy and theme park tie-ins. “We wanted to do it right.”
Did the company succeed? Or is Elena, like some of her royal counterparts, about to run afoul of the princess police?
Few matters in entertainment are as fraught as the Disney princesses, a dozen or so characters led by Cinderella and Snow White that mint money for the Walt Disney Company but also are cultural lightning rods. People who love the princesses (they’re pretty and live happily ever after!) and those who despise them (they promote negative female stereotypes and unrealistic body images!) square off endlessly. Academics study their adverse societal impact, even as women dress like them for their weddings.
Add race and ethnicity, as Disney is increasingly doing with its cartoon heroines, and this is a minefield, especially because animation by its nature deals in caricature. In 2009, when Disney introduced its first black princess, Tiana, every corner of her film, “The Princess and the Frog,” was dissected for slights.
Aware of the scrutiny that “Elena of Avalor” will receive, Disney has loaded each 22-minute episode with Latin folklore and cultural traditions. Avalor has Aztec-inspired architecture. Episodes will include original songs that reflect musical styles like mariachi, salsa and Chilean hip-hop. Elena’s black hair, gathered in a luxuriant pony tail, is accented with apricot mallow, a flower native to Southern California and Northern Mexico.
“We brought in a whole lot of consultants to advise on everything,” Ms. Kanter said. “We wanted to make sure that she didn’t have a doll-like appearance, and we really wanted to steer clear of romance. She has male friends, as teenage girls obviously do, but we did not want it tinged with, ‘Ooh, they’re falling in love.’”
The first episode, made available through a Disney Channel app on July 1, has received positive feedback. “We were all very pleasantly surprised at how well the character was conceived,” said Axel Caballero, executive director of the National Association of Latino Independent Producers. “This is going to have a great impact.”
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Already, though, “Elena of Avalor” has run into questions of princess parity, starting with the medium: Why is Disney introducing her through a television series aimed at children 2 to 11 and not in a full-fledged family movie, like her counterparts? “It really seems like a shun,” wrote Mandy Velez, a co-founder of Revelist, a publication targeted to millennial women.
For Rebecca C. Hains, author of “The Princess Problem: Guiding Our Girls Through the Princess-Obsessed Years,” the newest member of Disney’s royal court wins points for her heroism. In the first episode, Elena, after the deaths of her parents, tries to prove that she is ready to be queen, even though she is only 16.
“She’s not an ornament,” said Ms. Hains, an associate professor of advertising and media studies at Salem State University. “This is a princess with real political power, and that’s genuine progress.”
Still, Ms. Hains was cautious. “The mashing together of cultures gives me pause,” she said. Noting that older characters speak with Spanish accents and that Elena (voiced by the Dominican Republic-born Aimee Carrero) does not, Ms. Hains added, “Being modern and cool seems to mean talking like an American.”
Craig Gerber, who created “Elena of Avalor,” said the accents simply reflect a generational gap, a dynamic seen in many Latino families. He called the attention given to the Disney princesses “incredibly daunting,” but something that made the show better. “I really hope that young Latino children are happy to finally feel represented,” he said.
Serious people closely scrutinizing a cartoon character is the blessing and the curse of being Disney. Because its programming commands such attention, especially among children, the company is often held to a higher standard than competitors. Seemingly everyone has an opinion — often delivered as a demand — about what Disney should be doing with its characters, especially when it comes to diversity.
In 2014, tens of thousands of people signed a petition pushing for a Disney princess with Down syndrome. In the spring, the company faced an online campaign to make Elsa from “Frozen” a lesbian. In recent weeks, an online brush fire has broken out around “Moana,” an animated Polynesian adventure to be released in November; an overweight male character has been criticized as offensive to Pacific Islanders.
“Elena of Avalor” comes as Disney tinkers with its princess strategy. The company has started depicting its princesses in more active poses on toy packaging and emphasizing their various personalities. Pocahontas and Mulan, for instance, are now more prominent.
(For the record, Princess Leia doesn’t count as a member of this group, at least in Disney’s eyes. And celebration over the introduction of a Pacific Islander princess in “Moana” has apparently been premature. Because the film barely mentions her lineage, the company will not be calling Moana a princess, according to a Disney spokesman.)
As for Elena, Disney contended that television was better than film. Rather than relying on parents to take their children to a theater, Disney will pipe “Elena of Avalor” directly into hundreds of millions of homes. The series, which already has a five-season “content plan,” will run in 163 countries and be translated into 34 languages. Disney has also tried to make the series look and sound more like a movie than a television cartoon.
“The goal is certainly to give it as cinematic a feel as possible,” said Tony Morales, who scored the series, drawing inspiration from José Pablo Moncayo, a Mexican musician.
Disney is certainly not skimping on Elena’s promotion, including in the toy aisles, where analysts say there is an opportunity to steal market share from Dora the Explorer, the Latina preschool character that Nickelodeon introduced 16 years ago. It typically takes up to 18 months after a show’s debut for related products to arrive in stores, but Elena items — stuffed animals, shoes, children’s bedding, backpacks, clothes — were made widely available on July 1. Books and Halloween costumes are still to come.
In other words, Disney’s expectations for a hit are high.
“We know that the Latino community is extremely vocal and active,” Ms. Kanter said. “As long as we tell a good story and create a character who is compelling and interesting and stands for something, I think the audience will be really pleased.”
Elena of Avalor gets trapped and protected inside her own special amulet in this new sneak peek to the new Disney Channel series.
Set in the enchanted fairy tale land of Avalor, the series tells the story of Elena (Aimee Carrero), a brave and adventurous teenager who has saved her kingdom from an evil sorceress and must now learn to rule as crown princess until she is old enough to be queen. Elena’s journey will lead her to understand that her new role requires thoughtfulness, resilience and compassion, the traits of all truly great leaders.
The stories incorporate influences from diverse Latin and Hispanic cultures through architecture, traditions, food and customs. Magic, mythology, folklore and music also play an important role, with each episode featuring original songs spanning an array of Latin musical styles including Mariachi, Latin Pop, Salsa, Banda and Chilean Hip Hop.
In the first episode, Elena officially becomes crown princess and rescues her sister, Isabel, from Noblins, elf-like shapeshifting creatures based on a Chilean peuchen myth. The episode also introduces Zuzo, Elena’s spirit guide in the animal world, based on the belief of a Mayan tribe in southern Mexico. In the second episode, titled “Model Sister”, Elena is torn between a promise she made to help Isabel (Jenna Ortega) and fulfilling her royal duties.
The one-hour premiere event will air on Friday, July 22nd @ 7PM ET/PT on Disney Channel, and this fall, a special TV movie titled Elena and the Secret of Avalor will make its premiere, which explains how Elena was imprisoned for decades in her magical amulet and eventually set free by Princess Sofia of Enchancia.
Tyler Posey as Prince Alonso, a charming prince from the Argentine-inspired Kingdom of Cordoba; Lucas Grabeel as Jiku, the leader of the Noblins; Jillian Rose Reed as as Naomi, Princess Elena of Avalor’s closest friend and fellow adventurer; and Marsai Martin as Cat, a budding scientist and adventurer, and many more round out the cast.
“Blindspot” season 2 may see the return of Allison Knight (Trieste Kelly Dunn) and Ana Montes (Aimee Carrero).
In the previous season, Allison was revealed to be FBI Agent Kurt Weller’s (Sullivan Stapleton) ex-girlfriend. The two went their separate ways a while back but were reunited again because of work. At first, Allison and Kurt seemed to be hitting it off again and even ended up sleeping with each other. However, Allison already had a feeling that Kurt was more interested in Jane Doe (Jaimie Alexander).
Allison confirmed her speculations about Kurt’s feelings for Jane when he decided to side with the latter instead of her. According to Entertainment Focus, Allison may return to “Blindspot” season 2 to stir up more drama for Jane and Kurt. Jane and Kurt are currently not in good terms with each other, since the latter found out that she’d been lying to him about her memories.
Meanwhile, Ana and Jane worked together in the previous episode of “Blindspot” season 2. The two developed quite a close relationship with each other after Ana helped Jane hack into a system. Now that Jane is no longer working with the FBI, she can continue helping Kurt and his team from a distance through Ana.
In other news, a young Jane Doe is being cast for “Blindspot” season 2. According to TV Line, executive producer Martin Gero and his team are currently searching for a talented girl between the ages of 9 and 11 who resembles Alexander. Preferably, the young actress should have a background in either gymnastics or martial arts. Anyone with a perfect South African accent is encouraged to audition as long as they are willing to be cast for a recurring role.
“Blindspot” season 2 will premiere on NBC sometime this fall.
Freeform’s Young & Hungry centers around the career and general hijinks of Gabi Diamond, so it makes sense that the potential spin-off focusing on Gabi’s roommate, Sofia Rodriguez, would also be career-minded. And it’s probably safe to say that there would be quite a few hijinks in the spin-off as well.
In Y&H’s episode 8, titled “Young & Sofia,” Sofia starts a new job, which sets up a world for the spin-off — and EW has your first look of the special half-hour.
Throughout the current season, Sofia (played by Aimee Carrero) has been trying to figure out her career path, and she recently stumbled upon music writing. Enter recurring guest star Logan Rawlings (show EP Ashley Tisdale), who can help Sofia realize her dreams.
The July 20 episode sees the aspiring journalist taking a position working for the San Fran media mogul.
In line with how we’ve seen Logan on Young & Hungry before, she’s incredibly demanding of her employees, which forces Sofia to prove herself on the first day. Luckily, she’s aided by new coworkers Leo (Ryan Pinkston, Clipped) and Kendrick (Steve Talley, Pretty Little Liars and The 100) — and of course Gabi (Emily Osment).
Although Carrero has worked with Tisdale on the show before, she tells EW that working alongside her on this special episode was a “pleasure.”
“[Ashley] is the definition of a team player [and] a constant stream of support and encouragement throughout,” Carrero said in a statement to EW.
“This episode was a true labor of love for everyone involved,” Carrero said. “For me, it was an education on the importance of diligence, patience, and confidence in the face of gnawing self-doubt. It was an incredible rush… then I slept for 10 days.”
Young & Hungry airs Wednesdays at 8 p.m. ET on Freeform.